Showing posts with label fine art. Show all posts
Showing posts with label fine art. Show all posts

Thursday, May 08, 2008

Save the date!

Well, it's official!

Saturday, June 28th, 2008 marks the opening of the very first Vanishing America exhibit, which will be on display through July at Roswell's Ann Jackson Gallery!

This marks the first in a series of exhibitions of Fine Art photography from the Vanishing America project. Future exhibits will be held in cities all over the United States, each one showcasing new work as well as some original favorites, but this is the first!

All of the images are in signed, limited editions of 25 and vary in size from 8x10 inches to over 5 feet. And, once an edition sells out, there will be no more. What that means to the collector is that each image will not only retain its value, but that the value of each image will actually increase with time.

The opening night of the exhibit promises to be a blast, with music from Atlanta's best blues band, The Breeze Kings, a wine tasting from local vendors, and barbecue from Alpharetta's own Smokejack restaurant, all accompanying 25 of Vanishing America's best images to date.

If you are in the Atlanta area, and would like to attend... hell, if you're within 200 miles of Atlanta, you have to attend!... please RSVP to holt@vanishingamerica.net as soon as you can. This is an historic event. Space is limited and though this event is free, it will "sell out" very quickly.

Tuesday, February 06, 2007

Vanishing America


Vanishing America

Vanishing America is a Fine Art Photography project set about to capture the beauty and enchantment of the unique elements of our history and culture that are in danger of disappearing within the next two to three generations.

It is an ongoing journey to artistically document those things that make America wonderful, fun, beautiful, and exciting… the very things that are being forgotten, abused, and destroyed right before our very eyes. It is a project to show people what we will be missing when we allow "progress" to drain our wetlands, bulldoze our historic buildings, clearcut our forests, and pollute our waterways. It is also a project to document what will be lost to us through time, lack of use, and neglect – those things that, through natural processes, must be replaced, but nonetheless, have great value in our country’s history and culture.

Subdivided into several series of images, all of which depict American treasures that are in danger of vanishing forever (Wild Horses, Wetlands, and Iconic architecture, to name a few), it is a series of images meant to preserve, in photographic format, those things that define our experiences in America, before they are lost to us forever, and, hopefully, increase awareness and activism along the way.

There will come a time when there will be no wild Mustangs roaming the plains of the West; there will come a time when the Okefenokee Swamp will be nothing more than a field upon which developers can build another Wal-Mart; and we're fast approaching the day when the quaint small town is just a faded memory.

America, as we know it, is changing fast. And, sometimes change is good. But sometimes change destroys the things we love about our country. I understand that we can’t save it all – and there are definitely icons of our growth as a nation and as a culture that shouldn’t be saved. But that doesn’t mean we should forget them. Hopefully these images, and the ones that will follow as I travel across the United States, will remind people how precious, how ephemeral, and how important these aspects of our country and our culture are.



Project Plan:

Over the course of the next couple of years, I will drive around the United States in a motor home running on Solar Power and Vegetable Oil to photographically document America’s Wild Horses, Disappearing Wetlands, Historic Architecture and Settlements, Crumbling Industry, Small Town Life, and anything else that I encounter along the way that could potentially be lost to us in the next two to three generations.

I will map out several primary destinations that will be the cornerstones of my journey. I will reach these destinations via America’s seldom traveled backroads. And I will keep my eyes open and my cameras ready for the more subtle opportunities that present themselves along the way.

My journey will take me from the deserts of Southern California and the Salton Sea, out to the National Wildlife Refuge in Alaska, across the Rocky Mountains, and into the Great Plains of the Midwest. I will travel to the abandoned industries of the Northeast, down into the mysterious wetlands of the Deep South, and all across the Nation documenting American icons and precious resources. The finer details will be mapped out as the departure date approaches. I will provide regular image and article submissions to numerous magazines, web log updates, and video. The project will culminate in a series of coffee table books, art exhibits, a possible documentary.


Note:
In order to reduce my overall budget and have an actual positive physical impact on the environment, I would like to make this journey in vehicles that run solely on alternative fuels such as solar power and biodiesel/vegetable oil.

The plan is to leave San Diego in the Summer, so keep your eyes and ears open. You might just see me in your town.

Monday, September 11, 2006

Fine Art Photography at San Diego's Ray at Night















Widow Makers VIP artist's reception for Holt Webb at 4 Walls Gallery

Fine Art Photography

What a great night!

I'd like to thank all of my friends and colleagues for coming out and supporting my first solo gallery exhibition, and for supporting Ray at Night. I can't express in mere words how important it is to me that everyone dropped what they were doing to see my work on the gallery walls.

There were over 1000 people in attendance for the 5th Anniversary of Ray at Night, and it seemed like every single one of them stopped in to view my images. The gallery was packed all night, and even stayed open an hour after most other places on the street were closing down. There was a lot of interest in my color image of the Salton Sea, as well as the two images from my Trembling Earth series, but the stars of the show seemed to be the wild horse selections from my series, Untamed.

At one point, I saw a young woman jumping up and down with a huge smile on her face telling her friends all about how much she loved one of my black and white closeup horse portraits. Not sure yet if she bought the image, but I do expect that the image will sell very quickly.

I guess the image that got the most "oohs and aahs" was the 3 foot by 5 foot canvas of "U-01", the first in my Untamed series. It seemed to be the most talked about image of the night.

From what the gallery curator, Elliot Linwood, told me near the end of the evening, it looks like we sold 4 or 5 pieces, including two from the Untamed series.

Maybe it was the full moon, but everything seemed to come together for me that evening. ..

  • It was Ray at Night's 5th anniversary,
  • there was a great band playing on the roof (U2 style),
  • Toni Atkins gave a speech,
  • my parents flew into town just for the show,
  • almost all of my friends came down to support me,
  • this same month San Diego Magazine did a small profile on me as a contributing photographer,
  • San Diego Magazine also had a 6 page article on a home for which I did all the photography,
  • my best friend, Marc, and his wife, Nancy, sent me a bottle of fantastic wine for me to celebrate because they couldn't be here to celebrate with me,
  • attendance that night set a new record for the event.


I truly enjoyed the evening. It was a great start to what seems to be a blossoming career.

And, again, to all of you who made it out: A Giant THANK YOU!

And, to all of you who couldn't make it: I'll be having another reception on September 23rd. I hope to see you there.

www.holtwebb.com
www.myspace.com/holtwebb
© Holt Webb Photography

Monday, September 04, 2006

Architectural Photography

Architectural Photography by Holt Webb


San Diego Magazine is currently featuring my photographs of a beautiful Rancho Santa Fe home in an article entitled, Cool Ranch, written by Deirdre O’Shea.

http://www.sandiegomag.com/issues/september06/featurec0906.asp




In April of 2006, San Diego Magazine featured my first photographs of a stunning home overlooking the cliffs of Encinitas.


This article was the first publication of my architectural work. Since that issue was released, I’ve had my architectural photographs published in three separate coffee table books defining architecture and the home:

Materializing the Immaterial
The Architecture of Wallace Cunningham
Published by Yale University Press


California...A Great Place to Live
Published by Rhino Media Works

Home
Published by Millennium House

It's all been very exciting, and very busy. And, it all came about because of an abandoned building in my neighborhood...

It was December 25, 2004 and the North Park Theatre had been under reconstructive demolition for over a year. What was once a state of the art Motion Picture house in the 1920s golden era of Hollywood, had begun a slow descent into abandonment and disrepair. When I arrived that Christmas morning, the theater had already been gutted and stripped of everything that could be removed without incorporating a wrecking ball. The seats were gone. The stage was empty. There were no fountains, no columns, no life. It was, simply put, a shell of its former self.

That is when I started the project. With the working lights still twinkling in the dark just before dawn, I climbed over the fence to record images of the theater in its second infancy. It was being reborn, and I knew I had to capture these moments lest they be lost forever behind new paint and acoustic paneling. I was trespassing, but I rationalized that this was a once in a lifetime opportunity and decided that it was well worth the risk. And, looking back, I believe I made the right choice.

So, with teeth chattering from the cold (yes, it does get cold in San Diego in the winter) and cameras set up, I began the first of uncountable rolls of black and white film.
It took 3 months to get official permission to enter the property (for safety reasons), and another 8 months and countless trips back into the theater to record the progress of its renovation, but the completed project was well received by the new occupants of the Theatre, the San Diego Lyric Opera, as well as the developer and the architect that took on the massive reconstruction.

And, it was that series of images that inspired the developer and his personal architect to recommend me to shoot his home for San Diego Magazine. Since then, my Architectural work has been keeping pace with my Fine Art Photography work, and I owe it all to a little trespassing on Christmas morning.

www.holtwebb.com
www.myspace.com/holtwebb
© Holt Webb Photography